Tone Glow Presents: Pop Music as Prismatic Utopia

"Pop Music as Prismatic Utopia" is a program highlighting avant-garde films that show a deep appreciation for pop music qua pop music. These films use pop songs as conduits to reveal and expand aspects of personal identity, to capture the spirit of specific people and places, and to embody something universal about the human experience. PROGRAM: Sadie Benning, Jollies (1990, 11 mins, digital) Betzy Bromberg, Petit Mal (1977, 18 mins, 16mm) Chick Strand, Angel Blue Sweet Wings (1966, 4 mins, 16mm) Thom Andersen, Olivia's Place (1974, 6 mins, 16mm) Bruce Baillie, All My Life (1966, 3 mins, 16mm) Warren Sonbert, Friendly Witness (1989, 32 mins, 16mm) TRT = 74 minutes + intro and reel changes NOTE: Space is limited. There is standing room available beyond the 36 spots listed here, and is located behind the seats. If you arrive to Sweet Void Cinema on the day of the screening, you can purchase tickets at the door but if we reach max capacity you will be turned away. If you would like to see more programming like this, all of which is paid for out of my own pocket, feel free to donate: https://ko-fi.com/toneglow